The second season of ＂Qingyu Nian＂ topped the expectation list, Zhang Ruoyun carried the ratings, and the original team was difficult to gather

The second season of "Qingyu Nian" is still in preparation, and the audience can’t help but catch a glimpse. On the list of waiting TV series expectations, the second season of "Qingyu Nian" topped the list with the highest expectations.

The success of the first season is obvious to all, and of course everyone is looking forward to the second season even more. Some fans wish "I hope it’s the original cast", after all, the familiar cast is more suitable for acting, and the actors don’t have to re-run.

At present, it is known that Zhang Ruoyun is confirmed to star. After the official announcement of the launch, Zhang Ruoyun followed suit and forwarded the news. Unsurprisingly, Zhang Ruoyun will still be the male lead, and it is unknown whether the other starring roles will be replaced.

Take a look at Quarter 1’s lineup: Zhang Ruoyun, Li Qin, Chen Daoming, Wu Gang, Li Xiaoran, Xin Zhilei, Li Chun, Song Yi, covering three generations of powerful actors. The actors acted brilliantly, and the audience was addicted to it, which made it great.

Good dramas are rare, so when I heard that the second installment was about to start filming, the audience waited even harder, looking forward to continuing the excellence of the first installment.

Then again, why are audiences so optimistic about the "Celebration of the Year" series?

First of all, "Qingyu Nian" is a big IP, based on the novel of the same name, and the original book has a huge fan base.

At the same time, the adaptation of the drama version was very successful, and the book fans were also very satisfied. The word-of-mouth continued to ferment, and "Qingyu Nian" attracted a wide range of passers-by.

Secondly, the production team and cast are awesome. Sun Hao, the director of "Qingyu Nian", has been nominated for the Magnolia Award for Best Director and has extensive experience in filming. His directing of "Qingyu Nian" is good news for both the actors and the audience.

The actors’ rival plays left the audience with surprises. Fan Xian’s love and righteousness, Lin Waner’s justice and tenacity, Emperor Qing’s forbearance and depth, the eldest princess’s ruthlessness, Chen Pingping’s calmness and courage, Machiavellian, monarch and minister, and family country, each play has its own profound meaning, and the appearance of each character can whet the audience’s appetite.

Many ancient costume conspiracy dramas give people the feeling of being cold, and the full screen is filled with gorgeous clothing and profound lines.

Although the background of "Qingyu Nian" is an overhead history, the comic and humorous style adds a lot of temperature to the story, and the audience sees specific and vivid people, which can generate a sense of immersion.

In terms of details, "Qingyu Nian" is even more extreme, reflecting ingenuity everywhere. The picture has the texture of a movie, and the special effects production is not vague. Accompanied by the fighting scenes of the characters, the audience can easily feel immersive.

The most rare thing is that the play is cleverly integrated with stalks, and there is no hard copy, so you won’t feel embarrassed after watching it. The quality is online and the audience’s IQ is respected. Of course, it is not surprising that "Qingyu Nian" can explode.

Famous to strike while the iron is hot, the first fire, the second will be in full swing to prepare, maybe it can be beautiful again.

"Fatty son-in-law" is like this, the first heat is unprecedented, the two stars Guo Qilin and Song Yi have enjoyed the popularity bonus, one after another to take over business resources, fame and wealth.

This drama is a costume drama with a commercial war theme. The protagonist Ning Yi traveled to the Wu Dynasty, married Su Tan’er, and confirmed the identity of the Su family’s son-in-law. Ning Yi relied on his own wisdom to grow the business of the Su family’s cloth business and helped Su Tan’er get the power of the family.

As a small son-in-law, with thousands of people in mind, the plot’s foothold is on the feelings of home and country. Ning Yi took risks and vowed to protect the city-state, which is his most moving quality.

Guo Qilin was a comedian and could speak well. It just so happened that Ning Yi was an eloquent character. It could be said that he acted in his true colors without any sense of discord.

The plot talks about business wars, but the style is not serious, and the witty humor that inadvertently shows can always make the audience smile. Combined with the reality, the various stalks "fighting knives" and "shopping for money" can’t help but laugh. This is the charm of "Fatty Son-in-law" that distinguishes it from other business wars.

Like "Qingyu Nian", "Fatty-in-law" is also a big IP. After seeing the hot market effect, the crew intended to prepare the second installment. The specific schedule and lineup have not yet been determined, but the fans’ first choice is still the original cast.

Good things come in pairs, and this also applies to TV dramas. Hot dramas are rare, and it is even rarer to make a second one. The first one has a good start, and the next one will definitely have to raise the standard, which undoubtedly puts forward higher requirements for the production team and actors.

Another problem is the connection between the front and rear plots. Often the first part leaves a wonderful suspense, but the second part is unfinished, wasting a good opportunity to get out of the circle.

In the era when content is king, quality is still the primary indicator for audiences to measure a drama. Without high-quality content, how can you impress audiences?

What the audience wants to see is more exciting and innovative content, rather than just seeking stability, changing the soup without changing the medicine, or just making minor changes on the original basis. Such an adaptation can be said to be better than nothing.

Television drama creation has always been like this, it is not enough to just lie flat on the credit book of the past. Content with depth, strength and temperature is the standard that determines whether the audience will pay.